Love | STEPHEN OHARA
Oil, Paper, 12” x 9” x 0.1”. Two World War 2 Ukrainian soldiers in green uniforms embrace near a fence. A scenic backdrop with trees and a pathway completes the setting. Adapted from the Nini-Treadwell Collection. Lovin…
ink, Paper, 18 x 24 x 0.1. Two men in suits stand face to face holding hands and exchanging rings as a symbol of their vows to stay together forever. They stand amidst a background of mountains, trees and a stag with da…
ink, Paper, 12 x 9 x 0.1. An ink drawing depicts two men seated comfortably on a couch, posing close together as they look towards the viewer. The drawing uses soft lines and shading to capture their expressions and cas…
ink, Paper, 12 x 9 x 0.1. Two men are depicted in semi-realistic style with broad smiles. The sketch combines detailed facial features with unfinished clothing to draw the viewer toward their mutual affection. These are…
ink, Paper, 9 x 12 x 0.1. Two young men embrace beside a vinbtage 1929 automobile in the year 1930. Anticipating gay marriage by about a century these American men documented their mutual affection with a photograph as…
ink, Paper, 12 x 9 x 0.1. Two sailors in love share a joyful embrace, both smiling broadly. In the background a house and a bare tree trunk are visible. Ink drawing adapted from a photography dated March 11, 1944 with t…
ink, Paper, 12 x 9 x 0.1. Two men are playfully sitting on the trunk of a care, one carrying the other. Both are smiling broadly, exuding a sense of infatuation in 1930s California. Adapted from the Nini-Treadwell Colle…
ink, Paper, 12 x 9 x 0.1. Two sailors in uniform pose intimately against a backdrop of curtains. Their expressions convey tenderness and a sense of deep affection. Men in love. Adapted from the Nin-Treadwell Collection.…
Pencil, Paper, 12 x 9 x 0.1. Two men stand side by side, shirtless, smiling against a backdrop of trees and holding hands. Their muscular physiques and casual blue jeans add to the relaxed outdoor setting.
Pencil, Paper, 12 x 9 x 0.1. A dark and moody drawing depicts two men in an intimate and intense kiss. The use of light and shadow adds depth and drama to the composition.
ink, Paper, 12 x 9 x 0.1. Two men are depicted in a close embrace, conveying a sense of warmth and trust. The use of vibrant colors adds emotional depth to their expressions.
Pencil, Paper, 9 x 12 x 0.01. Two newly-wed men are lying closely together on a bed embracing each other warmly. Soft colors and delicate lines convey a sense of intimacy and relaxation.
Oil, Canvas, 20 x 16 x 0.75
Charcoal, Paper, 11 x 14 x 0.1. Two men are seated with their arms around each other on a sofa, leaning towards each other with relaxed and happy expressions. Their posture and expressions suggest a deep attachment—love…
Oil, Canvas, 40 x 30 x 1. The intimate moment of a kiss shared between two men. Notice the nuanced expressions and the tenderness of the men, the intimacy and the love. Natural? Yes. Common? No.
Acrylic, Canvas, 50 x 40 x 1. We could use John Lennon these days.
Oil, Canvas, 20 x 16 x 1. Let me not to the marriage of true minds Admit impediments. Love is not love Which alters when it alteration finds. Or bends with the remover to remove. O no! it is an ever-fixed mark That look…
Pencil, Paper, 14 x 11 x 0.1. USA. 1920s. Big Strong Men in Love. Smooching, disdaining any naysayers. Any consequences.
Pencil, Paper, 9 x 12 x 0.1. Sketch based upon a photo from about 1910, part of the Nini-Treadwell Collection assembled in the book, LOVING: A Photographic History of Men in Love 1850s-1950s.
Pencil, Paper, 12 x 9 x 0.1. Based upon a historic photograph from the Nini-Treadwell Collection in the book, LOVING: A Photographic History of Men in Love 1850s - 1950s. Photo stamped on back
Oil, Canvas, 14 x 11 x 0.3. Shakespeare’s ‘love that dare not speak its name’ remains exactly that in many places. Why? Ignorance? Fear?
Oil, Canvas, 14 x 11 x 0.3. Composer of classical movement and lifemate now married and happily everaftering!
Pencil, Paper, 16 x 12 x 0.1. 1880 Baltimore, USA. Thanks to the Nini-Treadwell Collection, Loving: A Photographic History of Men in Love 1850s-1950s.
Pencil, Paper, 12 x 9 x 0.1. Men embracing, 1948 USA, based upon a photograph from the book LOVING: A Photographic History of Men in Love 1850s-1950s. The Nini-Treadwell Collection.
Oil, Canvas, 20 x 16 x 1
Pencil, Paper, 14 x 11 x 0.1. Unidentified men adopt a clearly amorous pose by a haystack in Bulgaria about the year 1930. From the Nini-Treadwell Collection: LOVING, a Photographic History of Men in Love 1850s-1950s.
Acrylic, Canvas, 11 x 14 x 0.5. Spring is in the air for this happy porcine pair.
Pencil, Paper, 11 x 14 x 0.1. Happy. Ebullient. Men overjoyed to spend time together and quite simply in love. The year? About 1915. Location? America. Shout out to the Nini-Treadwell Collection.
Pencil, Paper, 12 x 9 x 0.1. Shih Tzu dog named Buster always in search of treats.
Pencil, Paper, 11 x 14 x 0.1. Two men clearly with a bond of deep affection enjoy a tender moment circa 1900. Although their names are lost to history, their faces were preserved in a photograph now in the Nini-Treadwel…
Canvas, 20 x 16 x 0.5. a very corgi Christmas for Coco.
Pencil, Paper, 24 x 18 x 0.1. Love between 2 American men in 1919. Simple folk, possibly farmers? We do not know their names or stories, just this one moment in their lives. Did they manage the farm together for decades…
Oil, Canvas, 14 x 11 x 0.3. Men in Love, America 1919, Harry and Ernie. -adapted from the Nini-Treadwell Collecdtion of historic photographs from 1850=1950 as assembled in their book LOVING. A photographic history of me…
Pencil, Paper, 12 x 9 x 0.1. Bulgaria. 1920. Men jointly holding a bouquet of flowers in front of a waterfall. Photo from the Nini-Treadwell Collection as curated in the book, Loving, a Photographic History of Men in Lo…
Oil, Canvas, 24 x 18 x 1
Pencil, Paper, 12 x 9 x 0.1
ink, Paper, 18 x 24 x 0.1. Pretending to choke her husband for bringing her to the top of Victoria Falls for a “little wading” a woman copes with her fear by joking around as the guide appears amused nearby.
Oil, Canvas, 24 x 18 x 0.5. Museums and Monasteries can help the green revolution along and save the planet by rethinking how the past can contribute to the future. Gold objects abound and serve mainly as museum exhibit…
Pencil, Paper, 18 x 24 x 0.1